School Gate
A Spicy Second Chance Romance · The Hartwell Group, Book 5
The F train sits between stations for eleven minutes and does not apologize.
I am standing with my shoulder against a pole that has been sticky since 2019, holding a paper bag of leftover pad thai I did not eat because the workshop ran to 3:40 and the client wanted one more slide about "stakeholder alignment." I am a consultant. I get paid to make other people's messes look like a plan. I do not get paid enough to miss pickup.
The man next to me is eating a bagel over my coat. I shift. Oil from the pad thai has already found the seam of the bag. I will smell like peanuts and fish sauce on the platform and in the stairwell and in front of Denise, who will pretend not to notice because noticing is not in the aftercare rate.
Leo is six. School lets out at 2:55. Aftercare is a folding table and a woman named Denise who charges me more than my phone bill. I texted her from the platform at 3:12, then again at 3:19 when the conductor said we should be moving shortly in the voice of a man who does not have a child waiting. She texted back a thumbs-up and he's fine. Fine is not the same as sitting with his mother.
I count what I have in checking without opening the app, because the app makes it real. Aftercare draft Friday. MetroCard under five dollars. Milk if I can do it without skipping the fine on the library book that has been under the couch since Sunday. The workshop billed. The invoice will sit in someone else's queue until Thursday. Thursday is not Friday.
I come up the Park Slope stairs into spring air that smells like pretzels and bus exhaust. P.S. 118's gate is a zoo. Cars that cost more than I made last year. Parents who arrived on time, holding juice boxes like trophies. I jog. My work bag slams my hip. The leftovers leak a little oil through the bag and onto my coat, because of course they do.
Leo is by the gate. Backpack half-zipped. One shoe untied. He is not wearing the patient saint expression I invent when I feel guilty. He is bored. He is kicking a loose piece of concrete and asking Denise if he can have the rest of someone else's Goldfish.
"Mom," he says, like he has been storing it. "You're late."
"I know. Subway. I'm sorry."
"Denise said I could have a snack. I already had a snack." He holds up a crumpled foil pack. "Can we get pizza?"
"We have leftovers."
He makes the face. The leftover face. I take his hand anyway. The backpack strap is twisted. I fix it with my teeth on the zipper pull because my other hand is full of him and pad thai. This is the job. This is the whole job.
Denise mouths invoice Friday over his head. I nod. I already know. I have the number on the fridge under a magnet shaped like a strawberry that Leo picked out because he said the other magnets were boring.
We start toward the station. I am already doing the evening math: leftover reheating, bar book I will not open, whether the permission slip in the backpack is the one that was due Friday or the one that is due next Friday. I will find out when I unpack, which I will do after he sleeps, which is what I always say.
Then a car pulls up.
Not a taxi. A black SUV with a driver who does not look like he takes the F. A car that belongs to a world I used to sleep in and then got billed for.
The passenger door opens. The man who gets out is the last person I want my son to see.
Reid Mercer.
Six years. He left in March with no note, no number, no forwarding anything. I woke up in his sheets and the other pillow was cold. The key dish on his dresser was empty. Two weeks later I peed on a stick in a pharmacy bathroom on Seventh and sat on the floor until my legs went numb and a clerk knocked and asked if I was okay, and I said I was buying toothpaste.
He looks older. Harder in the jaw. Same dark coat habit, like he still thinks weather is a problem you can tailor. Same eyes. I hate that I know the eyes.
He is not looking at me.
He is looking at Leo.
Leo has those eyes. I have spent six years telling myself they are mine if I squint. They are not mine. They are Reid's. Dark, steady, a little too serious for a kid who still wipes his nose on his sleeve.
Reid's face does the math. I watch it happen. Recognition. Then the ugly part. The part where a man who ran realizes the thing he ran from grew legs and a backpack.
He takes a step. His mouth opens.
I do not wait for whatever speech he has been practicing in that car.
I pull Leo's hand. I do not run. I am not going to make my kid a scene in front of Denise and the SUV parents. I walk like the sidewalk is on fire and I have decided not to mention it.
"Mom," Leo says. "Who was that?"
"No one."
The lie is cheap. It tastes like it.
"He looked at me."
"People look. Walk."
"His car was big. Does he live in it?"
"No. Subway. Watch the stairs."
I get him through the turnstile with my MetroCard that is down to four dollars. I will refill it tomorrow. I will also buy milk. I will not do both if the aftercare draft hits first. The machine beeps at me like I have personally offended the MTA. Leo wants to press the button. I let him. It does not add money. He does not care. He wanted the button.
On the platform a man is playing a Bluetooth speaker too loud. Leo covers one ear and leans on me. I hold the leaking bag away from his backpack. I think about Reid's coat. I think about the empty key dish. I stop thinking about the key dish because the train is coming and I need both hands.
Leo leans on me on the train. He is clingy when he is tired, which is always between four and dinner. His head is a warm weight on my arm. He asks if we can watch the train video again. He asks why my bag smells like peanuts. He asks if Denise is mad. I say Denise is not mad, Denise is paid, which is a distinction I should not have said out loud. He does not ask about Reid again, which is worse, because he is saving it.
I stare at the window and see Reid anyway. Midtown. Hartwell. VP of Operations, if the gossip was right when Maya mentioned a name I had trained myself not to hear. Back. Standing in my pickup line like the last six years were a scheduling conflict.
I am not curious about his reasons.
I am angry. The old kind. The anger I use to get Leo's shoes on and the anger I use to not call the number I do not have.
He left.
He does not get to look at my kid like a question he is entitled to ask.
At Fourth Avenue I almost miss the transfer because I am thinking about whether Leo's library book is still in the backpack or still under the couch. It is under the couch. It has been under the couch since Sunday. Fine is $1.50 a day. I know this because I have paid it. I know it the way I know the aftercare rate and the cost of the marshmallow cereal he will ask for in the morning that we do not have.
Leo swings his legs. "Can we have the noodles?"
"Yes."
"With the white stuff?"
"The lime. Yes."
"Okay." He pauses. He picks at a scab on his knee. "The man had my eyes. Tommy's dad has Tommy's eyes."
My stomach drops through the floor of the car.
A woman across from us is watching. I give her the face I give clients when they want a free extra hour. She looks at her phone.
"Eat first," I say. "Questions later."
He accepts this the way he accepts subway delays. Not because it is fair. Because I am the one who showed up, late and oily and lying, and I am still the one who takes him home.
At our stop he wants to be carried up the stairs. He is too old and too heavy and I do it anyway for eight steps and then set him down and he complains and takes my hand again. The pad thai has soaked through. I will throw the coat in the sink. I will heat the noodles in a pan because the microwave makes them sadder. I will not open the bar book. I will not tell Bridget. I will not tell Maya.
At the apartment I hang the oily coat on the chair. I heat the noodles. Leo eats with the lime. He kicks the table. He does not ask about the man. He asks for the train video. I say after teeth.
Reid Mercer can stand on that sidewalk until the SUV rusts.
He does not get a conversation in front of my son.
He does not get anything tonight except the fact of me walking away, and I will live on that for as long as I can.
End of chapter one
That was one of 20.
School Gate runs 30,333 words and 118 printed pages, and 3h 08m as an audiobook. The paperback is $14.00, and the ebook and the audiobook come with it at no charge.